Monday, November 23, 2009
Friday, November 20, 2009
Monday, November 16, 2009
Thursday, November 12, 2009
Tuesday, November 10, 2009
Friday, November 6, 2009
Rosemary DeLucco-Alpert Photography
Wednesday, November 4, 2009
Friday, October 30, 2009
Wednesday, October 28, 2009
Tuesday, October 27, 2009
Monday, October 26, 2009
Thursday, October 22, 2009
Wednesday, October 21, 2009
Tuesday, October 20, 2009
Monday, October 19, 2009
Friday, October 16, 2009
FREE WORLDWIDE CREATIVE COURSES
CreativeTechs is holding classes - for software programs like
Photoshop, Dreamweaver, Lightroom and much much more.
The live webinars are free and the classes are also available for purchase if you
can not attend the webinars or you want to review the classes - fair prices and
outstanding teaching!
Check it out!! http://creativetechs.com/training/
Photography Show... Who Shot Rock & Roll
October 30, 2009–January 31, 2010
Morris A. and Meyer Schapiro Wing, 5th Floor
Morris A. and Meyer Schapiro Wing, 5th Floor

Siouxsie Sioux (1982, NYC)
Thursday, October 15, 2009
Monday, October 12, 2009
Where the Wild Things Are - interview


Interview with Maurice Sendak
On the origin of Where the Wild Things Are:
The original title was Where the Wild Horses Are. I loved the title, and she loved the title. It was very evocative. The only problem was, I drew horses so very badly that it couldn’t be published that way. It took a period of time to determine what the Wild Things were—what they looked like, what they sounded like. It seemed to take quite a time, and I began to lose hope, thinking that this was just a nice title. But finally it became Where the Wild Things Are, and that was a brilliant discovery because “things” could be any thing, and there was certainly some thing I could draw well.
The full interview is http://www.nycgo.com/?event=view.article&id=206419
On the origin of Where the Wild Things Are:
The original title was Where the Wild Horses Are. I loved the title, and she loved the title. It was very evocative. The only problem was, I drew horses so very badly that it couldn’t be published that way. It took a period of time to determine what the Wild Things were—what they looked like, what they sounded like. It seemed to take quite a time, and I began to lose hope, thinking that this was just a nice title. But finally it became Where the Wild Things Are, and that was a brilliant discovery because “things” could be any thing, and there was certainly some thing I could draw well.
The full interview is http://www.nycgo.com/?event=view.article&id=206419
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